Nathan Goddard

Before it can ever be the repose for the senses, landscape is the work of the mind. Its scenery is built up as much from strata of memory as from layers of rock.” Ken Taylor 
I see making my work as archived memories deep beyond the surface mantle, the earth survives as physical documentation of recollection and reflection. The act of utilizing clay and earth from specific places therefore, literally and conceptually connects my work to a place of origin and the layers of nostalgia associated with it.  Place is my material and my vehicle for addressing these ideas.
Having the ability to transcend these connections and activate my inner voice is of great importance.  Through a spiritual connection I take the memory of the land to create the work.  Similar to the strata of earth, my work is comprised of layers, of daily human observations and the geo-historical knowledge that is held inside of clay. We ultimately depend on the health of the planet in order to continue for future generations.  We are the catalyst to preserve this place. We can move fast like water flowing over rocks and boulders or slowly like plates deep beneath the earth’s surface. 

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