A life-long pianist, I find working with clay similar to practicing a musical instrument: both processes invite one to develop attention to form and detail, to balance technique with improvisation and to discover a personal creative voice. Alongside music, my background in physics and math informs my art. Physics governs the relationships between the forms and surfaces of my zigzag and swoosh pots. I cut or swipe patterns into slipped cylinders; these expand into captivating organic designs as I stretch the pots from the inside. Friction torques vertical lines into spirals, parallel swooshes drift apart or scrunch together, and coarse canyons emerge between smooth-slipped plateaus.