My work explores the complex social geography of modern society and the intricate relationship between mankind and the environment. My ceramic sculpture serves as a metaphor for a wider global panorama of political power and industrial production. I am currently exploring the lineage of manifest destiny, from its beginnings in Europe to westward expansion in America, to forms it has taken in modern America. These ceramic forms serve as the conceptual grounds upon which to explore industry and culture. In these works I simultaneously celebrate the history of the pastoral life while questioning the ideologies of modern society. Through hand-labor, contemplative making, and a reverence for tradition, I aim to explore both interrelated and divergent human perceptions using clay as my primary medium.